Cindy Alexander



Hi it’s me, Cindy.  I’m writing my own bio because… I don’t want to hide behind someone else’s version about what went down.  I’ve been at this a long time.  But I feel like this CD is the start of a new chapter in my life as an artist.

A stripped down, acoustic record. The first time that no one has told me how to play, or how to sing.  I was only told to stop thinking so much and just “do it.” And almost every time I wanted to fix something, I was told “No.”

Why & How

The idea of this record originated from Kirk Pasich, founder and President of Blue Élan Records.  He wanted to capture the raw, emotional connection of my acoustic performances that he’d been watching on stage for many years.  The focus was to be on the artist and the song, and not on production.  Nowhere to Hide became a concept – the record was recorded live in single takes, where we played together in the same room.  The only instruments involved were voices, a grand piano, acoustic guitars and dobro.  Kirk set the stage, and allowed the musicians to do what they do best in an environment without restraints.  We were seeking the beauty of imperfection, not a slick production. The songs ebb and flow with emotion and honesty, and the push and pull of heartstrings.

There was a lot of love in the room.  Everyone involved in this record is a friend, and is special to me. The relationships span the entirety of my career – from my first writing partner/band mate Paul Trudeau to my latest writing partner/producer Colin Devlin.  To mix my past and present together in one room was a rare opportunity.  Paul and Colin cover most of the tracks instrumentally and vocally, and we sprinkled the collection with appearances by my first producer, mentor and writing partner, Dave Darling, my soul sis and superstar Janiva Magness, my touring sidekick and duo partner Ali Handal, my long time band mate Tina Trevino, my Blue Élan sister Scout Durwood, Randy Ray Mitchell – who I met when I first came on the scene and has played in my band over the years, Bernie Barlowe – who has graced some of my previous records with her gorgeous back up vocals, and a brand new musical collaborator, pianist Tyler Cash.

When & Where
Recorded summer 2017 at Clear Lake Audio and Fever Studios, with owner/engineer Eric Milos  at the helm. I met Eric when I recorded Deep Waters at his studio and felt so strongly about his work ethic and talent that I insisted he be involved. For the final sonic touches, we turned to Grammy nominated mastering engineer Emily Lazar.

Song By Song

The songs were curated by Kirk in order to cover the span of my career.  My first album, See Red, was released in 1999. One of the first songs I ever wrote, which appears on that record, opens Nowhere to Hide“I See Stars.”   This tune was inspired by the book I was reading at the time, Richard Bach’s Running From Safety, in which the author meets himself as a child.  In many ways, this entire record was me running from safety, in order that my desire to grow creatively and spiritually (I see those two as connected) could be realized.  A quote from the book:  “It must happen to us all…We pack up what we’ve learned so far and leave the familiar behind. No fun, that shearing separation, but somewhere within, we must dimly know that saying goodbye to safety brings the only security we’ll ever know.”

The second track, “Passenger,” was written on New Year’s Day 2017.  I was driving home from my parents’ house in Palm Desert with my kids and started to “zone out” in a stretch of highway with thousands of windmills on either side.  That area of the freeway can be hypnotic. I was almost hit by a truck. Jolted out of my daze, I noticed that the side of the truck read “Hurricane Express.”  Google them!  It’s a real trucking line; “family owned company based in northeastern Oklahoma.”  I hope to make them famous! The song was written completely in my head between the windmills and home.

“4 Hours” is an old fan favorite from the 2005 release Angels & Demons.  I co-wrote it with hit songwriter Kim Tribble out of Nashville.  I had just flown to Austin for SXSW and there was a storm above the airport. So we had to circle….for four hours before landing.  Let’s just say it was a productive flight.

Next up is “Heels Over Head” which originally opened my 2014 release of Curve. This song, co-written with Dave Darling, is me taking responsibility for all of the dysfunctional relationships that pepper the first half of my catalogue. It was my manicurist (cheap therapist) who enlightened me:  These guys were not “unavailable.”  It was ME who was “unavailable” for a healthy relationship because I chose inappropriate partners. Then I met my husband on  The End.  Just kidding.  I found inspiration in other aspects of my life.  But I did meet my husband on

“Something to Look Back On” is a brilliant tune written by my friend and label mate Janey Street, and award winning hit songwriter Gary Burr. Kirk sent me the song the evening before our recording session and asked me what I thought about covering it. The first time I heard it, I cried. It was these words:  “When the sky on my horizon is more sunset than dawn…”   As a cancer survivor, this cut me to the core.  Paul, Colin and I worked up an arrangement the next morning and this is our first take.

“Everything I Own” – When I committed to making this record, I asked my fans on social media to suggest some of their favorite songs for me to cover and this David Gates/ Bread classic was one of their suggestions. I’ve always loved this song, and also truly value the involvement and feedback of the people who make my career possible – my fans.

“Soul Quake” – Kirk has always believed in this song and this was one that he was adamant about including. It’s from the release Every Rise and Fall, which focuses on reclaiming my identity and finding new inspiration after getting married and having children. I wrote this song for my twin daughters when they were in the womb!  When I found out I was having two girls, I burst into tears. Not because I wanted a boy…but because I worried about the following scenario: WHAT IF they fall in love with the same guy? They could break each other’s hearts!  I’m not sure that either of them has had a soul quake yet, but I sure have. A soul quake can be anything that shatters us in the moment, but we emerge stronger and more enlightened because of it.

“The Song Will Always Find You” – Sometimes, I write a song to work through pain. This is an example of music as a net that catches all those feelings I can’t express elsewhere. The song is a way to reach someone that won’t hear me otherwise. It’s also a way to put my truth out there, in a form that will outlive my physical presence on earth.

“Idiot Child” was written with Paul Trudeau circa 2001 and is included on the release Smash.  It was originally Paul’s song until I flipped out over the title and the chorus melody, and then reworked it for myself. We both came to the conclusion at that point in our lives, that sometimes life is easier the less you know. It was a feisty, angst-y, and rebellious period for me – and this song became a staple in my live set.

Book of Love” – I learned this song at the request of my dear friends Don and Joelle Adkins, who have hosted me many times at Studio 519, my favorite house concert venue. I fell in love with this song and am so happy to include it on my record and dedicate it to them. I always thought it was a Peter Gabriel composition (and I love his version), but was delighted to discover the prolific songwriter behind it:  Stephin Merritt.

Wonderful” – This is a fan favorite from Every Rise and Fall.  I wrote it with Dave Darling as an empowering anthem, and a tongue and cheek look at the self-esteem issues of many artists, including myself. I realize I have issues…

The Stuff They Want You To Know About Me

“Cindy is the personification of what it takes to be a superstar. Her writing is insightful and poignant. Her stage presence is utterly unforgettable, and her musicianship is flawless. She also possesses that rarest of charisma that one cannot manufacture: she was born to perform.” – David Lawrence, Host and Executive Producer of NET MUSIC COUNTDOWN

Born and raised in Los Angeles, Cindy was trained at the acclaimed USC School of Drama but realized quickly that there was enough “drama” in real life, and the best part she could play was herself. She has created nine albums (and added to numerous compilations and soundtracks) worth of her life, which she has performed all across the US, Japan, Germany, Ireland, and islands as far as Barbados and Guantanamo Bay. Music has always been the key to her adventure, and she soaks up the stories of those she meets, the cultures, the geography, the spirit and the down and dirty details of the road she travels. As a seasoned writer and performer, she has tackled numerous subjects; not only the classic singer/songwriter confessional fare of dysfunctional relationships, marriage, and motherhood, but also her personal discovery and recovery from breast cancer, the perils of the entertainment business, classic literature, sexuality, spirituality, history and the human condition. There is no topic that is out of bounds – she tells The Truth.

“P-nut,” as she is affectionately known by her fans, has a voice that defies her petite stature. Classically trained, this coloratura soprano hits the high notes like an angel but also bellows with rich, velvety tones in the lower half of her three octave range. She’s a storyteller, and her show benefits from the humor and banter with the audience in between songs, in addition to the music and exceptional execution. Cindy Alexander CONNECTS, and her relationship with her fans has funded her recording projects and fueled her continued success as a touring indie musician.



Cindy Alexander - Heaven's Wall Cindy Alexander - Heaven's Wall
Cindy Alexander - Deep Waters Cindy Alexander - Deep Waters
Cindy Alexander - Heels Over Head Cindy Alexander - Heels Over Head


  • Heels Over Head - Cindy Alexander
  • American Girl - Cindy Alexander
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  • Heaven's Wall - Cindy Alexander
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Tour Dates

Amy Wilcox