GRAMMY NOMINATED SINGER-SONGWRITER JANIVA MAGNESS REACHES A NEW CREATIVE APEX WITH THE POWERFUL, GENRE-SPANNING LOVE IS AN ARMY
She’s reunited with Grammy-nominated producer Dave Darling for her 14th album, which fuses the classic sounds of Memphis and Nashville with a modern focus on songs that balance love, hope and protest. Guests include Charlie Musselwhite, Delbert McClinton and Della Mae’s Courtney Hartman.
After Janiva Magness added a 2016 Grammy nomination to her 27 Blues Music Award nominations—with seven wins, including Entertainer of the Year—she might have taken at least a short rest on her laurels. Instead, one of the preeminent voices in contemporary American roots music has raised the bar for herself. Magness’ fourteenth album, Love Is an Army, is a brilliantly crafted bridge between the past and present, blending the echoes of classic soul and country music with timeless themes of love and the very contemporary sound of protest.
Love Is an Army’s dozen songs reverberate with the timeless character of the Memphis rhythm & blues patented by the Stax and Hi Records studios, especially in tracks like “Back to Blue,” which opens the album and sets its tone, and “Hammer,” which features fellow Grammy nominee and multiple Blues Music Awards winner Charlie Musselwhite on harmonica. Another Tennessee music city, Nashville, is the geographic touchstone for the title number, a duet with Texas singer-songwriter Bryan Stephens, and for “On and On,” with Poco frontman Rusty Young on pedal steel guitar. Like Magness, both Stephens and Young are on Blue Elan Records. Other guest artists include the legendary R&B singer Delbert McClinton, Mississippi hill country blues torchbearer Cedric Burnside, bluegrass guitar and banjo virtuoso Courtney Hartman of the band Della Mae and pianist/songwriter Phil Parlipiano.
Magness’ inspired vocal performances unify all the elements of Love Is an Army and serve as a beacon for her coterie of guests. She displays new heights in her clarion tone and elegant phrasing, which are laid bare to the soul in the stone gospel voice-and-piano arrangement of “Some Kind of Love.” But the core of the album is, of course, the songs that Magness and her cast serve superbly in their performances. And many of those songs are essentially protest numbers, so it’s fitting they take musical inspiration from the ’60s and ’70s recordings by the likes of the Staples Singers and Al Green, whose lyrics about strength and love cut through the hubris and deceit that surrounded the Civil Rights struggle and the Vietnam War like a laser.
“Dave Daring and I had a real sense of urgency when we were writing and recording this album,” Magness explains. “What led the album was the lyrics, and the things that are happening right now—the division, the racism, the violence, and our leaders’ lack of concern about basic human issues like health care and poverty. The first song Dave and I wrote was ‘Love Is an Army,’ and then David brought in ‘Home,’ and the direction of the album was clear.”
Magness considers the title song a rallying call and an expression of her sense of purpose. “When I sing ‘you know that I will fight for you/There’s no divine inspiration/Something else calls us here/And our hearts know what to do,’ I really mean it. Now, in particular, it’s once again important for us all to do the right thing, and I’m willing to do that, regardless of the cost.”
“Home,” a duet with Cedric Burnside, is equally galvanizing. “Mom and pop protect the borders,” Magness testifies over a deep groove punctuated by handclaps and tambourine. “Draw the line deep in the sand/Load the guns for sons and daughters/To steal freedom of another woman and man.” Burnside reinforces the lyrics with a heart-searing performance that balances his earnest singing with burly psychedelic guitar tones that sting like an angry bee.
“I realize that this album might be a challenge for some of my fans,” Magness says—although her singing and the album’s rich arrangements are a panacea throughout. “But I need to be honest, and I’ve always been a fighter.”
As if spotlighting that, Magness carried a pair of boxing gloves on the cover of 2016’s Love Wins Again, which earned her a Grammy nomination and cemented her crossover success in the Americana music scene. That year she also performed at the Americana Music Association’s annual festival in Nashville. And, indeed, Magness fought some tough battles before she launched her career. She lost both parents to suicide as a child and was placed in a dozen foster homes. She gave up a child of her own at age 17, which left her in despair. But, inspired by the encouragement of her final foster mother and a galvanizing performance by the legendary bluesman Otis Rush, she found stability and salvation in music.
Since the early ’90s, Magness has built an impressive career in American roots music, brick by hard-earned brick. She has traveled millions of miles, sung on thousands of club and festival stages, and made a string of recordings—including five albums and the 2017 EP of standards, Blue Again, with Darling—that have earned accolades and awards.
Beginning with 2014’s Original, she has also emerged as a talented songwriter. That album entered the Billboard blues chart—where her titles routinely appear—at number five and topped the blues radio charts, as did Love Wins Again, which remained in the top 10 for seven months and crossed over to the Americana charts. Her seven Blues Music Awards include the highly coveted B.B. King Entertainer of the Year Award. She is only the second woman, following blues giant Koko Taylor, to receive that honor.
“Getting a Grammy nomination was a dream,” Magness offers. “I never thought I’d be a Grammy-nominated artist. But I guess I also feel a certain amount of pressure to follow that with an album that really makes a statement—a statement about who I am and what I believe and the music I love. Love Is an Army does all of that, and I hope it helps somebody else to be as inspired and empowered as I was when I was making it.”
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